These two meters, although sharing an ultimately common theme, differ greatly in their content and style. Although the typical indications of Betjemans work (simple rhyming and merged stanzas) argon evident in some(prenominal), it is obvious to the reader that his intentions for each(prenominal) song and how they be interpreted do non correlate. The center of both poems is death and what it means to the subject. With Sun and Fun we are presented with one poetical phonation in the first person narrative - a night-club proprietress. The poem is full of mourning and disdain, with our subject calculateing book binding at her life and the realization that a materialistic, superficial mankind has not benefited her in the slightest. In fact, here she is, alone in a dirty, squalid nightclub without help, support or anything to look onwards to. These feelings of hopelessness and morbidity are echoed in Devonshire pass W.1 so far the character described in this poem, and the range of emotions he experiences, are much more intense for he has well(p) been informed by his doctor that his death is imminent, to be interpreted by a terminal disease. Unlike Sun and Fun, the setting here is cold, traditional and sterile, peradventure a reflection of a numb and dazed mind.
With Sun and Fun, the vote counter reflects on her past with young suitors, modernistic clothes, holidays and passion. We are assumption the flick that, although important at the time, these memories are useless to her and that everything around her was temporary; fleeting moments of fun that could not last forever. Wi th nought to support or stimulate her, no c! ompanion or solidity within her life, what else is there to blistering for? Betjeman gives the reader the impression here that this woman lives through her regret on a daily basis, clutching... If you want to get a full essay, battle array it on our website:
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